REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.

REGISTRATION REQUIRED

What is left but this:
the compulsion to tell.
—Mary Jo Bang

Praise, lamentation, consolation, alienation—the elegy has as many facets as grief itself, as many tensions and anxieties. An elegy publicly declares what is privately felt. It constructs from destruction. But what new meanings arise when elegy is stretched across a series, a book, a long period of time? How does a long form complicate grief, positioning mourning against melancholia, release against the refusal to accept, love against obsession?

Join Belmont Art Collective's Karolinn Fiscaletti for an eight-week seminar exploring the long-form elegy.